Giuseppe Viganò | Saba

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Giuseppe Viganò

Giuseppe Viganò

Giuseppe Viganò is involved in industrial planning of furnishing products and in stage-managing of some Companies in the same field. He offers graphic consultancy to realize catalogues, supervising directly the picture, the layouts, the communication and advertising pages. He plans design exhibitions and permanent products in furniture stores or in temporary spaces for specific events, and he personally chooses products and he studies the set. Often the experimentation or the use of a new material becomes a starting point for the design of not only a product but of an entire collection. The research for references from the world of art ,fashion and poetry, are an opportunity to approach the project obliquely, many of its most popular products are born from the concepts of painting and glamorous details, other times they are poetic gestures that create interesting shapes to be developed into new proposals. He collaborated with well-known Companies of this field, such as Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati&Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Longhi, Frighetto, Gamma International, Ivano Redaelli, Il Loft di Saporiti, Lago, Liu Jo Living Collection, Lema, Minotti, Misuraemme, Porada, Saba Italia, Rivolta e la pelle, Artexa, Tisettanta, Turri. The sit "Ellipses" designed for Bonacina Pierantonio has been choosen to participate in the selection for the ADI INDEX 2010, for the Compasso d'Oro ADI Award. The furniture shows in and out of Italy, the scenic designs for temporary spaces or specific events and the stable outfitting in the shops, often in collaboration with international clients, allowed to Studio Viganò to know different realities and ways of work, growing and gaining more and more experience. Products for the graphic communication complete the overall picture of developed projects, like creation of catalogues, brochure, invitations and advertising pages that follow, with the supervision of Giuseppe Viganò, starting from the picture to the lay outs.